B i o g r a p h y
B i o g r a p h y
B i o g r a p h y
Joshua R. Jacobson holds a Bachelors degree in Music from Harvard College, a Masters in Choral Conducting from the New England Conservatory, a Doctor of Musical Arts from the University of Cincinnati, and a Doctor of Humane Letters honoris causa from Hebrew College. Before retiring in 2018, Dr. Jacobson served 45 years as Professor of Music and Director of Choral Activities at Northeastern University, including nine years as Music Department Chairman and six years as the Bernard Stotsky Professor of Jewish Cultural Studies. He is also Visiting Professor and Senior Consultant in the School of Jewish Music at Hebrew College. He is also the founder and director of the Zamir Chorale of Boston, a world-renowned ensemble, specializing in Hebrew music. He has conducted workshops on choral music for various groups, including the American Choral Directors Association, and has guest conducted a number of ensembles, including the Boston Pops Orchestra, the Bulgarian National Symphony and Chorus, the New England Conservatory Orchestra and the Boston Lyric Opera Company. He has also written articles on various aspects of choral music, and over one hundred published compositions and arrangements. In 1989 he spent four weeks in Yugoslavia as a Distinguished Professor under the auspices of the Fulbright program. In 1994 Hebrew College awarded him the Benjamin Shevach Award for Distinguished Achievement in Jewish Educational Leadership, in 2004 the Cantors Assembly presented him with its prestigious “Kavod Award,” in 2016 Choral Arts New England presented him the Alfred Nash Patterson Lifetime Achievement Award, and in 2018 Chorus America selected him for its Distinguished Service Award. Prof. Jacobson is past President of the Massachusetts chapter of the American Choral Directors Association. He is the conductor and host of the PBS film, Zamir: Jewish Voices Return to Poland. His book, Chanting the Hebrew Bible: The Art of Cantillation, published by the Jewish Publication Society in 2002, was a finalist for the National Jewish Book Award. He is co-author of Translations and Annotations of Choral Repertoire—Volume IV: Hebrew Texts, published by earthsongs in 2009.
​
Prof. Jacobson’s articles have appeared in The Choral Journal, the American Choral Review, The Journal of Synagogue Music, Encyclopedia of Genocide and Crimes Against Humanity, Encyclopedia Judaica, Studies in Jewish Civilization, Yale University Institute of Sacred Music Colloquium, The Musical Quarterly, and others. His compositions, arrangements and editions have been performed by ACDA honors choirs, by the Boston Pops and Tanglewood Festival Chorus, and by the St. Olaf College Choirs, among others. His music is published by Transcontinental, ECS, Broude Brothers and Earthsongs. He has guest lectured at Harvard, Brandeis, Yale, and many other schools. In addition to his specialization in Jewish music, he has conducted many of the standard choral-orchestral masterworks, including Bach’s Johannespassion, Beethoven’s Mass in C, Handel’s Messiah, Haydn’s Die Schöpfung, Mendelssohn’s Elijah, Mozart’s Requiem, Orff’s Carmina Burana, Poulenc’s Gloria, Schubert’s Mass in E-flat, Thompson’s A Peaceable Kingdom. He has also prepared Beethoven’s Ninth Symphony for Daniel Barenboim and the Israel Philharmonic Orchestra, Mahler's Second Symphony for Zubin Mehta and the I. P. O., Stravinsky’s Symphony of Psalms for Gary Bertini and the Jerusalem Symphony, Schoenberg’s A Survivor from Warsaw for Piero Bellugi and the New England Conservatory Orchestra. In 2011 Jacobson launched "Middle Eastern Harmonies," a program bringing together on stage Jewish and Arab music and musicians. He has performed the program for diverse audiences throughout New England.
Here are excerpts from some press reviews. Richard Dyer wrote in the Boston Globe (June11, 2002) “Jacobson has a gift for programming that is instructive and entertaining, and more often than not, the Zamir Chorale performs works that music lovers would be unlikely to hear anyplace else.” Philip Greenfield in the American Record Guide (March/April, 2002), “The Zamir Chorale of Boston has become America’s foremost Jewish choral ensemble.” Kevin Gabriel in The Worcester Telegram and Gazette (March 25, 1996), “Jacobson led polished performances that emphasized clarity and balance. And the chorale’s professionalism was everywhere evident, particlularly in its unflagging attention to detail.”
Joshua R. Jacobson holds a Bachelors degree in Music from Harvard College, a Masters in Choral Conducting from the New England Conservatory, a Doctor of Musical Arts from the University of Cincinnati, and a Doctor of Humane Letters honoris causa from Hebrew College. Before retiring in 2018, Dr. Jacobson served 45 years as Professor of Music and Director of Choral Activities at Northeastern University, including nine years as Music Department Chairman and six years as the Bernard Stotsky Professor of Jewish Cultural Studies. He is also Visiting Professor and Senior Consultant in the School of Jewish Music at Hebrew College. He is also the founder and director of the Zamir Chorale of Boston, a world-renowned ensemble, specializing in Hebrew music. He has conducted workshops on choral music for various groups, including the American Choral Directors Association, and has guest conducted a number of ensembles, including the Boston Pops Orchestra, the Bulgarian National Symphony and Chorus, the New England Conservatory Orchestra and the Boston Lyric Opera Company. He has also written articles on various aspects of choral music, and over one hundred published compositions and arrangements. In 1989 he spent four weeks in Yugoslavia as a Distinguished Professor under the auspices of the Fulbright program. In 1994 Hebrew College awarded him the Benjamin Shevach Award for Distinguished Achievement in Jewish Educational Leadership, in 2004 the Cantors Assembly presented him with its prestigious “Kavod Award,” in 2016 Choral Arts New England presented him the Alfred Nash Patterson Lifetime Achievement Award, and in 2018 Chorus America selected him for its Distinguished Service Award. Prof. Jacobson is past President of the Massachusetts chapter of the American Choral Directors Association. He is the conductor and host of the PBS film, Zamir: Jewish Voices Return to Poland. His book, Chanting the Hebrew Bible: The Art of Cantillation, published by the Jewish Publication Society in 2002, was a finalist for the National Jewish Book Award. He is co-author of Translations and Annotations of Choral Repertoire—Volume IV: Hebrew Texts, published by earthsongs in 2009.
​
Prof. Jacobson’s articles have appeared in The Choral Journal, the American Choral Review, The Journal of Synagogue Music, Encyclopedia of Genocide and Crimes Against Humanity, Encyclopedia Judaica, Studies in Jewish Civilization, Yale University Institute of Sacred Music Colloquium, The Musical Quarterly, and others. His compositions, arrangements and editions have been performed by ACDA honors choirs, by the Boston Pops and Tanglewood Festival Chorus, and by the St. Olaf College Choirs, among others. His music is published by Transcontinental, ECS, Broude Brothers and Earthsongs. He has guest lectured at Harvard, Brandeis, Yale, and many other schools. In addition to his specialization in Jewish music, he has conducted many of the standard choral-orchestral masterworks, including Bach’s Johannespassion, Beethoven’s Mass in C, Handel’s Messiah, Haydn’s Die Schöpfung, Mendelssohn’s Elijah, Mozart’s Requiem, Orff’s Carmina Burana, Poulenc’s Gloria, Schubert’s Mass in E-flat, Thompson’s A Peaceable Kingdom. He has also prepared Beethoven’s Ninth Symphony for Daniel Barenboim and the Israel Philharmonic Orchestra, Mahler's Second Symphony for Zubin Mehta and the I. P. O., Stravinsky’s Symphony of Psalms for Gary Bertini and the Jerusalem Symphony, Schoenberg’s A Survivor from Warsaw for Piero Bellugi and the New England Conservatory Orchestra. In 2011 Jacobson launched "Middle Eastern Harmonies," a program bringing together on stage Jewish and Arab music and musicians. He has performed the program for diverse audiences throughout New England.
Here are excerpts from some press reviews. Richard Dyer wrote in the Boston Globe (June11, 2002) “Jacobson has a gift for programming that is instructive and entertaining, and more often than not, the Zamir Chorale performs works that music lovers would be unlikely to hear anyplace else.” Philip Greenfield in the American Record Guide (March/April, 2002), “The Zamir Chorale of Boston has become America’s foremost Jewish choral ensemble.” Kevin Gabriel in The Worcester Telegram and Gazette (March 25, 1996), “Jacobson led polished performances that emphasized clarity and balance. And the chorale’s professionalism was everywhere evident, particlularly in its unflagging attention to detail.”
Joshua R. Jacobson holds a Bachelors degree in Music from Harvard College, a Masters in Choral Conducting from the New England Conservatory, a Doctor of Musical Arts from the University of Cincinnati, and a Doctor of Humane Letters honoris causa from Hebrew College. Before retiring in 2018, Dr. Jacobson served 45 years as Professor of Music and Director of Choral Activities at Northeastern University, including nine years as Music Department Chairman and six years as the Bernard Stotsky Professor of Jewish Cultural Studies. He is also Visiting Professor and Senior Consultant in the School of Jewish Music at Hebrew College. He is also the founder and director of the Zamir Chorale of Boston, a world-renowned ensemble, specializing in Hebrew music. He has conducted workshops on choral music for various groups, including the American Choral Directors Association, and has guest conducted a number of ensembles, including the Boston Pops Orchestra, the Bulgarian National Symphony and Chorus, the New England Conservatory Orchestra and the Boston Lyric Opera Company. He has also written articles on various aspects of choral music, and over one hundred published compositions and arrangements. In 1989 he spent four weeks in Yugoslavia as a Distinguished Professor under the auspices of the Fulbright program. In 1994 Hebrew College awarded him the Benjamin Shevach Award for Distinguished Achievement in Jewish Educational Leadership, in 2004 the Cantors Assembly presented him with its prestigious “Kavod Award,” in 2016 Choral Arts New England presented him the Alfred Nash Patterson Lifetime Achievement Award, and in 2018 Chorus America selected him for its Distinguished Service Award. Prof. Jacobson is past President of the Massachusetts chapter of the American Choral Directors Association. He is the conductor and host of the PBS film, Zamir: Jewish Voices Return to Poland. His book, Chanting the Hebrew Bible: The Art of Cantillation, published by the Jewish Publication Society in 2002, was a finalist for the National Jewish Book Award. He is co-author of Translations and Annotations of Choral Repertoire—Volume IV: Hebrew Texts, published by earthsongs in 2009.
​
Prof. Jacobson’s articles have appeared in The Choral Journal, the American Choral Review, The Journal of Synagogue Music, Encyclopedia of Genocide and Crimes Against Humanity, Encyclopedia Judaica, Studies in Jewish Civilization, Yale University Institute of Sacred Music Colloquium, The Musical Quarterly, and others. His compositions, arrangements and editions have been performed by ACDA honors choirs, by the Boston Pops and Tanglewood Festival Chorus, and by the St. Olaf College Choirs, among others. His music is published by Transcontinental, ECS, Broude Brothers and Earthsongs. He has guest lectured at Harvard, Brandeis, Yale, and many other schools. In addition to his specialization in Jewish music, he has conducted many of the standard choral-orchestral masterworks, including Bach’s Johannespassion, Beethoven’s Mass in C, Handel’s Messiah, Haydn’s Die Schöpfung, Mendelssohn’s Elijah, Mozart’s Requiem, Orff’s Carmina Burana, Poulenc’s Gloria, Schubert’s Mass in E-flat, Thompson’s A Peaceable Kingdom. He has also prepared Beethoven’s Ninth Symphony for Daniel Barenboim and the Israel Philharmonic Orchestra, Mahler's Second Symphony for Zubin Mehta and the I. P. O., Stravinsky’s Symphony of Psalms for Gary Bertini and the Jerusalem Symphony, Schoenberg’s A Survivor from Warsaw for Piero Bellugi and the New England Conservatory Orchestra. In 2011 Jacobson launched "Middle Eastern Harmonies," a program bringing together on stage Jewish and Arab music and musicians. He has performed the program for diverse audiences throughout New England.
Here are excerpts from some press reviews. Richard Dyer wrote in the Boston Globe (June11, 2002) “Jacobson has a gift for programming that is instructive and entertaining, and more often than not, the Zamir Chorale performs works that music lovers would be unlikely to hear anyplace else.” Philip Greenfield in the American Record Guide (March/April, 2002), “The Zamir Chorale of Boston has become America’s foremost Jewish choral ensemble.” Kevin Gabriel in The Worcester Telegram and Gazette (March 25, 1996), “Jacobson led polished performances that emphasized clarity and balance. And the chorale’s professionalism was everywhere evident, particlularly in its unflagging attention to detail.”
JOSHUA JACOBSON
Works I Have Conducted
Shorter Choral works
Adler, Samuel, The Twenty-Third Psalm
Aguiar, Ernani, Salmo 150
Anglea, Peter, Jubilate Deo
anon, Angelus ad virginem
anon, Dona Nobis Pacem
anon , Alleluia, Psallat
anon (arr. Greenberg), Dadme albricias, hijos d'Eva
anon (arr. Greenberg), E la don don, verges Maria
anon (arr. Greenberg), Riu, Riu Chiu
Bach, Johann S., Break Forth O Beauteous Heavenly Light
Bach, Johann S., Dona Nobis Pacem (from Mass in b)
Bach, Johann S., Wachet Auf
Bach, Johann S. (arr. Swingle), Aria
Bach, Johann S. (arr. Swingle), Bouree
Bach, PDQ, Art of the Ground Round
Bach, PDQ, Constant Lover, The
Bach, PDQ, Farewell, Ungrateful Traitor
Bach, PDQ, Good King Kong
Bach, PDQ, It Was a Lover
Bach, PDQ, My Bonnie Lass She Smelleth
Bach, PDQ, O Little Town of Hackensack
Bach, PDQ, Passionate Shepherd, The
Bach, PDQ, Song to Celia
Bach, PDQ, Throw the Yule Log on
Bach, PDQ, To His Coy Mistress
Bach, PDQ, To the Virgins
Bach, PDQ, Who is Sylvia?
Bach, PDQ, Why So Pale and Wan
Banchieri, Adriano Counterpoint of the Animals
Barber, Samuel, Reincarnations
Bartok, Bela, Four Slovak Folksongs
Bassett, Leslie, Collect
Bassett, Leslie, Emerald
Bateson, Thomas, Phyllis, Farewell
Beethoven, Ludwig, Come, Fill, Fill, My Good Fellow
Beethoven, Ludwig, Hallelujah (from Mount of Olives)
Beethoven, Ludwig, Signor Abbate
Beethoven, Ludwig van, Auld Lang Syne
Beethoven, Ludwig van, Come Fill My Good Fellow
Beethoven, Ludwig van, Sally in Our Alley
Beethoven, Ludwig van, The Highland Watch
Ben-Haim, Paul, Benediction
Bennet, John, Weep, O Mine Eyes
Berlin, Irving (arr. Ringwald), Give Me Your Tired
Berlin, Irving (arr. Boutelle & Jacobson), God Bless America
Bernstein, Leonard, Almighty Father
Bernstein, Leonard, America
Bernstein, Leonard, Cool
Bernstein, Leonard, I Feel Pretty
Bernstein, Leonard, It Must Be So (Candide)
Bernstein, Leonard, Life Is Happiness (Candide)
Bernstein, Leonard, Make Our Garden Grow
Bernstein, Leonard, Mass (excerpts)
Bernstein, Leonard, My Darlin' Eileen
Bernstein, Leonard, Sanctus
Bernstein, Leonard, The Best of All Possible Worlds (Candide)
Bernstein, Leonard, Warmup
Bernstein, Leonard, West Side Story Medley
Bernstein, Leonard, Wrong Note Rag
Biggs, John, Train
Billings, William, And Suddenly There Was
Billings, William, Anthem for Thanksgiving, An
Billings, William, Lamentation over Boston
Billings, William, Lord Gave the Word, The
Billings, William, Shepherds' Carol
Billings, William, Virgin Unspotted, A
Billings, William, When Jesus Wept
Bizet, Georges, Habanera
Bizet, Georges, The Torreador Song
Boyar, Horace, Bringing In the Sheaves
Boyar, Horace, It's My Desire
Boyd, Jack, When the Terms of Peace are Made
Brahms, Johannes, How Lovely
Brahms, Johannes, Lass dich nur nichts nich dauren
Brahms, Johannes, Liebeslieder Walzer
Brahms, Johannes, Neue Liebeslieder Walzer
Bright, Huston, Te Deum
Brown, Richard, Cat Catch, A
Brubeck, Shout unto the Lord (from Gates of Justice)
Burger, David, Song (When I Am Dead)
Byrd, William, An Earthly Tree
Caldwell, paul, John the revelator
caldwell, Paul, Lord's wonders at the exodus, the
Carter, John, Psalm 100
Clemens, Adoramus Te
Cobb, John, London Street Cries
Copland, Aaron, Stomp Your Foot
Copland, Aaron, Have Mercy on My Soul
Copland, Aaron, Sing Ye Praises to Our King
Copland, Aaron (arr. Fine), I Bought Me a Cat
Copland, Aaron (arr. Fine), Long Time Ago
Copland, Aaron (arr. Kaponen), Zion's Walls
Corigliano, John, Forever Young
Costeley, Guillaume, Allons, gay bergeres
Dawson, William, Ezekiel Saw the Wheel
Dawson, William , King Jesus is a-Listening
De Ritis, Anthony, Dedication
Debussy, Claude, O Praise Ye the Lord
Del Tredici, David, Acrostic Song
Del Tredici, David, Acrostic Song
Dello Joio, Norman, Jubilant Song
Dello Joio, Norman, Notes from Tom Paine
Dello Joio, Norman, Song of the Open Road
Dering, Richard, Dear Love, Be Not Unkind
Diemer, Emma Lou, Three Madrigals
Dowe, Brent (arr. Jacobson), Rivers of babylon, the
Dowland, John, Come Again, Sweet Love
Dowland, John, Say, Love
Dowland, John, What if I Never Speede
Eisler, Hanns (arr. Jacobson), Solidaritätslied
Ellman, Ziggy (arr. Jacobson), And the Angels Sing
Esenvalds, Eriks, Stars
Estevez, Mata del anima sola
Fanshawe, David, Kyrie (from African Sanctus)
Fanshawe, David, Sanctus (from African Sanctus)
Farmer, John, Fair Phyllis I Saw
Farmer, John, Little Pretty Bonny Lass, A
Feinstein, Allen, The Monastery at Skellig Michael
Fine, Irving, Beautiful Soup
Fine, Irving, Father William
Fine, Irving, Lobster Quadrille
Fine, Irving, Lullabye of the Duchess
Fine, Irving, The Knave's Letter
Fine, Irving, The White Knight's Song
Fine, Irving, The White Lily
Fonseca, Muié Rendera
Gabrieli, Giovanni, Hodie Christus Natus Est
Gabrieli, Giovanni, Jubilate Deo
Gabrieli, Giovanni, Plaudite
Gardner, John, Ballad of Nancy Dee
Gastoldi, Giovanni, A lieta vita
Gastoldi, Giovanni, amor vittorioso (tutti venite armati)
Gastoldi, Giovanni, Tutti venite armati
Gastoldi, Giovanni, Viver lieto
Geneva Psalter, Psalm 100
Gershwin, George, Dere's a Boat
Gershwin, George, Doctor Jesus
Gershwin, George, I Got Plenty O' Nothin'
Gershwin, George, It Ain't Necessarily So
Gershwin, George, Jolly Tar, The
Gershwin, George, O Lawd, I'm on My Way
Gershwin, George, Porgy and Bess, medley
Gershwin, George, Sing of Spring
Gershwin, George, Summertime
Gesualdo, Don Carlo, Io Tacero
Gibbons, Orlando, Cries of London, The
Gibbons, Orlando, Silver Swan, The
Gjielo, Serenity
Glick, Srul Irving, Lenny
Gounod, Domine Salvum Fac
Gregorian chant, Alleluia, vidimus stellam
Gregorian Chant, Lauda Jerusalem Dominum
Gyongyosi, Levente, Gloria Kajoniensis
Hagemann, Phillip, Space Age Canons
Hairston, Jester, Great God A'Mighty
Hairston, Jester, I'll Take Sugan in My Coffee-o
Handel, George F., Hallelujah Chorus
Handel, George F., Let Their Celestial Concerts All Unite
Hassler, Hans Leo, Cantate Domino
Hawkins, Erskine, Tuxedo Junction
Haydn, Franz J., Drinking Song (from The Seasons)
Haydn, Franz J., Yes and No
Haydn, Franz Joseph, Eloquence
Haydn, Franz Joseph, Everything in its Place
Haydn, Franz Joseph, Harmony in Marriage
Haydn, Franz Joseph, The Old Man
Hennagin, Michael, Walking on the Green Grass
Hildegard, Nunc gaudeant
Hildegard, O Eterne Deus
Hildegard, O Viridissima Virga
Holland II, M. Roger, Lord Make Me an Instrument
Holländer, Friedrich (arr. Jacobson), Ich bin von Kopf bis Fuss auf Liebe eingestellt
Horvit, Michael. Even When God Is Silent
Holst, Gustav, Christmas Day
Hopkins, Sarah, Past Life Melodies
Husa, Karel, Festive Ode
Ives, Charles, Childerns' Hour, The
Ives, Charles, Christmas Carol, A
Ives, Charles, Circus Band
Ives, Charles, He Is There
Ives, Charles, Majority
Ives, Charles, Memories
Ives, Charles, Old Home Day
Ives, Charles, Psalm 67
Ives, Charles, Serenity
Ives, Charles, Son of a Gambolier
Ives, Charles, Turn Ye
Jacobson, Joshua, Fantasy on Civil War Songs
Jannequin, Clement, Chant des Oiseaux, Le
Johnson, Hall, Cert'n'y Lord
Johnson, Hall, His Name So Sweet
Joplin, Scott, Aunt Dinah
Joplin, Scott, Good Advice
Joplin, Scott, Real Slow Drag, A
Joplin, Scott, We Will Rest A-While
Joplin, Scott, We're Goin' Around
Kay, Ulysses, A New Song
Kitteredge, Walter (arr. Berkey), Tenting Tonight
Labes, Jeffrey, Letters, the
Lasso, Orlando, Echo Song
Lauridsen, Morten, Dirait-on
Lauridsen, Morten, Sure on This Shining Night
Lawes, Henry, O Absolom, My Son
Le Jeune, Claude, Reveci venir du Printemps
Lennon and McCartney (arr. Jacobson), All You Need is Love
Lewandowski, Ewiger
Lowe, William, Creole Mantra
MacDermott, Galt, Aquarius/ Let the Sunshine In
MacGimsey, Robert (arr. Cassey), Shadrach
Madsen and Greene, My Husband Was a Weatherman
Manhattan Transfer, Until I Met You
Marcello, Benedetto, Psalmo Decimoquinto
Maunder, J, Praise the Lord O Jerusalem
Melvill, David, Hey ho to the Greenwood
Melvill, David, Musing
Melvill, David, To Portsmouth
Melvin, Harold (arr. Jacobson), Wake Up Everybody
Mendelssohn, Felix, Heilig
Mendelssohn, Felix, Heilig
Mendelssohn, Felix, Jauchzet den Herren
Mendelssohn, Felix (arr. Willcocks), Hark the Herald Angels Sing
Mercury, Freddie (arr. Jacobson), Bohemian Rhapsody
Milhaud, Darius Psaume 121 (Je me suis fondu de joie)
Monteverdi, Claudio, Ave Maris Stella
Monteverdi, Claudio, Damigela tutta bella
Monteverdi, Claudio, Domine ad Adjuvandum and Dixit Dominus (from Vespers)
Monteverdi, Claudio, Hor Ch'el Ciel e la Terra
Monteverdi, Claudio, La violetta
Monteverdi, Claudio, Lasciatemi morire
Monteverdi, Claudio, T'amo mia vita
Moore, Undine Smith, Daniel, Daniel
Morley, Thomas, About the Maypole
Morley, Thomas, Agnus Dei
Morley, Thomas, April Is in My Mistress' face
Morley, Thomas, Fire, Fire
Morley, Thomas, My Bonnie Lass
Morley, Thomas, Now Is the Month of Maying
Morley, Thomas, Say, Gentle Nymphs
Morley, Thomas, Shoot false Lov
Morley, Thomas, Sing We and Chant It
Mozart, Wolfgang A, laudate dominum (from Vespers)
Mozart, Wolfgang A., Ave Verum Corpus
Mozart, Wolfgang A., Bona Nox
Mozart, Wolfgang A., Maiden Turn Your Pretty Head
Mozart, Wolfgang A., Nightsong
Mozart, Wolfgang A., O du Eselhafter Martin
Mozart, Wolfgang A., On to Glory (from Cosi)
Mozart, Wolfgang A. (arr. Swingle), Variations on "Ah vous dirais je, maman"
Msomi (arr. Page), We Are Free
Nagel, Robert, Triptych
Nystedt, Knut, Immortal Bach
Offenbach, Jacques, Beggars' Canon
Offenbach, Jacques, Neighbors' Chorus
Pachelbel, Charles, Magnificat
Parker, Alice, Fare Thee Well
Parker, Alice, Peter Gray
Parker, Alice, Ridin' in a Buggy
Parker, Alice, Street Corner Spirituals
Passereau, Il est bel et bon
Pearsall, Robert, Sing We and Chant It
Persichetti, Vincent, Celebrations
Persichetti, Vincent, jimmy's got a goil
Persichetti, Vincent, sam was a man
Philips, Peter, O beatam et sacrosanctam diem
Pilkington, Francis, Amyntas With His Phyllis Fair
Pinkham, Daniel, Evergreen
Pinkham, Daniel, In the Beginning
Pitoni, Giuseppi, Cantate Domino
Pottle, Sam, Jabberwocky
Poulenc, Francis, Hodie Christus natus est
Praetorius, Michael, In dulci jubilo
Praetorius, Michael, To Us Is Born Emmanuel
Praetorius, Michael (arr. Sandstrom), Lo, how a rose e'er blooming
Price, Emmett, Joyful Noise of Praise
Purcell, Henry, I Gave her Cakes
Purcell, Henry, O God, Thou Art My God
Purcell, Henry, One, Twice, Thrice
Purcell, Henry, Praise the Lord, O Jerusalem
Rahbani, Assi & Mansour (arr. Jacobson), Zahrat Al Madaen
Ravel, Maurice, Trois Beaux Oiseaux
Read, Daniel, Sherburne
Roberts, Leon, Thank You, Lord
Rodgers, Richard, Hello, Young Lovers
Rodgers, Richard, It's a Grand Night for Singing
Rodgers, Richard, My Favorite Things
Rodgers, Richard, Oh What a Beautiful Morning
Rodgers, Richard, Oklahoma
Rodgers, Richard, People Will Say We're in Love
Rodgers, Richard, Poor Jud is Daid
Rodgers, Richard, Some Enchanted Evening
Rodgers, Richard, Sound of Music, The
Rodgers, Richard, Surry with the Fringe on Top,The
Rossi, Salamone, Cor mio
Rossi, Salamone, Correte Amanti
Rossi, Salamone, Dir mi che piu non ardo
Rossi, Salamone, I bei ligustri e rose
Rossi, Salamone, Rimanti in Pace
Rossi, Salamone, Se'l Leoncorno
Rossi, Salamone, Spazziam
Rossi, Salamone, Torna Dolce
Rossini, Gioacchino, Ah dell' empio (from Moses)
Rossini, Gioacchino, Comic Duet for Two Cats
Rutter, John, Lord Bless You, the
Rutter, John, Lord Make Me an Instrument
Rutter, John, O Clap Your Hands
Rutter, John, The Lord Bless You and Keep You
Rutter, John, The Lord Bless You and Keep You
Ryder, Noah, Bethlehem Lullabye
Scheidt, Samuel, Ach, mein hezliebes Jesulein
Schmidt, Harvey, Fantasticks, The
Schoenberg, Arnold (arr. Jacobson), Mahnung
Schuman, William, Free Song, A
Schuman, William, Orpheus with His Lute
Schumann, Robert, Zigeunerleben
Schütz, Heinrich, Ach Herr
Schütz, Heinrich, Danket dem Herren
Schütz, Heinrich, Das Vaterunser
Schütz, Heinrich, Erhoere mich
Schütz, Heinrich, Jauchzet dem Herren
Schütz, Heinrich, Jauchzet dem Herren
Schütz, Heinrich, Jubilate Deo
Schütz, Heinrich, O lieber Herre Gott
Slick, Grace (arr. Jacobson), White Rabbit
Smith, Gregg, Babel
Smith, Gregg, Now I Walk in Beauty
Snyder, Leo, Three Strange Angels
Spivery, William, Operator
Starer, Robert, A Song of Joys
Starer, Robert, Break Forth into Joy
Starer, Robert, Song of Thanksgiving
Starer, Robert, the Last Invocation
Stewart, Slam (arr. Solomon), Flat Foot Floogie, The
Sullivan, Sir Arthur, H. M. S. Pianfore (excerpts)
Sulzer, Salomon, Psalm 111 (Hallelujah)
Swern, P., SOS
Swingle, Ward, Saints' Fugue
Tchaikovsky, Peter, Peasants' Chorus (Eugene Onegin)
Telemann, George, Laudate Jehovam
Tesson, William, First Psalm, The
Thompson, Randall, Alleluia
Thompson, Randall, Glory to God in the Highest
Thompson, Randall, Last Words of David, The
Toch, Ernst, Geographical Fugue
Toussaint, A. R., Occapella
trad (arr. deQuadros), Adinu
trad (arr. Jacobson), Regle
trad (arr. Page), Niska Banja
trad (arr. Page), There Is More Love Somewhere
trad (arr. Shaw), Coventry Carol
trad (arr. Shimizu), Sohran Bushi
trad (arr. Willcocks), God Rest You merry gentlemen
trad (arr. Willcocks), the first nowell
trad (arr. Aliabev), Solovyem Zalyetnym
trad (arr. Brahms), Da unten in tale
trad (arr. Brahms), In stiller Nacht
Trad (arr. Caldwell), Go Where I Send Thee
trad (arr. Dawson), Every Time I Feel the Spirit
trad (arr. deQuadros), Adinu
trad (arr. deCormier), Obey the Spirit
Trad (arr. Eben), Tancuj
trad (arr. Gearhart), Dry Bones
Trad (arr. Hairston), Amen
trad (arr. Hogan), Battle of Jericho, the
Trad (arr. Jacobson), Adijo Kerida
trad (arr. Jacobson), Oh Mary Don't You Weep
trad (arr. Jacobson), Papir Iz Dokh Vais
trad (arr. Jacobson), Regle
trad (arr. Johnson), Elijah Rock
trad (arr. Johnson), Let de Heb'n Lite Shine on Me
trad (arr. Kittelson), Glory Hallelujah to de New-Born KIng
trad (arr. Kolovski), Na Gorushke
trad (arr. Livingston), Frankee and Johnny
trad (arr. Martin), Great Day
Trad (arr. Moore), Rockin Jerusalem
trad (arr. Page), There's Honey in the Rock
trad (arr. Paulus), The Water Is Wide
trad (arr. Pokhorov), Kalinka
trad (arr. Rutter), Down by the Riverside
trad (arr. Shaw), Go Down Moses
trad (arr. Shaw), I Got Shoes
trad (arr. Shaw), Many Moods of Christmas, The
trad (arr. Shaw), Ride on King Jesus
trad (arr. Shaw), Set Down Servant
trad (arr. Shaw), Swing Low, Sweet Chariot
trad (arr. Smith), Ride the Chariot
trad (arr. Thomas), The Drinkin Gourd
trad (arr. Willcocks), O Come All Ye Faithful
Vautor, Thomas, Mother I Will have a Husband
Vecchi, Orazio, Dolcissimo ben mio
Vecchi, Orazio, Fa Una Canzona
Vecchi, Orazio, Gioite Tutti
Vecchi, Orazio, Tich tach toch
Victoria, Tomas, Ave Maria
Victoria, Tomas, O Magnum Mysterium
Walker, Gwyneth, I Thank You God
Weelkes, Thomas, Four Arms, Two Necks, One Wreathing
Whitacre, Eric, Cloudburst
Whitacre, Eric, Lux Arumque
Wilburg, Mack, Cindy
Wilbye, John, Adieu, Sweet Amaryllis
Williams, John, Exsultate Justi
Zawinul, Joseph, Birdland